A lack of research materials on the Baekje Kingdom had left its culture
largely unknown before the discovery of a king’s tomb began to reveal its
essence. Found by accident in 1971 in the process of building a drainage
system in a Baekje royal graveyard in Songsan-ri, in its old capital
Gongju, the tomb of King Muryeong is the only royal sepulcher from the
three Kingdoms period (57 B.c.-A.D. 668) with identifi ed occupants.
The main chamber of the tomb of King
Muryeong, viewed from the passageway.
The tomb was found in 1971 in a
Baekje royal graveyard in Songsanri,
Gongju. Under the vault, built by
stacking up bricks of different shapes
and patterns, the rectangular chamber
contained the wooden coffins of the
Baekje king and his wife, which had collapsed
under the weight of time.
Located in the East Asian Monsoon region, the Korean peninsula entered into yet another rainy
season in the summer of 1971. A rainy spell often means disaster at a cultural heritage site, but
that year in Gongju, it was a blessing in disguise.
Along with Silla and Goguryeo, the Baekje Kingdom, which lasted for almost 700 years from its foundation
in 18 B.C., was one of the Three Kingdoms which prospered in ancient Korea. In Gongju, the second
capital of Baekje, located in current South Chungcheong Province, there is a cluster of royal tombs
in Songsan-ri, at the southern foot of a low hill, with the Geum River flowing through the city from the
north. At this historic site, where the soft contours of ancient burial mounds create a cozy atmosphere,
the discovery of the tomb of Baekje’s 25th monarch, King Muryeong (r. 501–523), and his wife came
about serendipitously through rainfall.
Drainage System Maintenance for Rainy Season
The 16th-century book “Revised and Augmented Survey of the Geography of Korea" (Sinjeung dongguk
yeoji seungnam) has an entry on Gongju describing the royal tombs in Songsan-ri: “There is a county
school 3 li to the west of the town, with a cluster of old tombs to its west. They are said to be royal
tombs from Baekje but the exact occupants are unknown.” The tombs had already been noted in the
Joseon era as belonging to Baekje kings. Later, in the early half of the 20th century, excavations revealed
that the site was a royal cemetery created during 475–538 when Ungjin (present-day Gongju) was
the kingdom’s capital, although the owner of each grave was not clarified. In the early 1970s, with six
mounds of presumed royal tombs exposed, the area was registered as a state-designated historic site.
Every summer, the ancient tombs suffered damage from downpours because rainwater flowing
down from the back hill would seep into the underground burial chambers. To protect the two mounds
(No. 5 and No. 6) lying next to each other in an east-west direction, the Office of Cultural Properties (the
current Cultural Heritage Administration) under the Ministry of Culture and Information decided to dig
a drainage channel running parallel with them, about three meters away toward the back hill. Work
began on June 29, when the monsoonal front started to move northward toward Korea’s southern coast,
with the aim of finishing it before the rain began.
A week later, at around 2 p.m. on July 5, one of the workers digging the channel hit a river rock with
his spade. “A river rock down in the ground? I knew instantly something was strange, because river
rocks were used for tombs. Digging deeper, I came to a solid brick structure, and the dirt that turned up
contained lime. Eventually, my pickax clanged on something hard — traditional bricks,” said Kim Yeongil,
then site manager from the contractor Samnam Construction. This moment heralded the unexpected
discovery of a magnificent royal tomb and a landmark event in the history of Korean archaeology. The
pickax had touched on the ceiling for the southern part of the passageway to the main chamber, built
entirely of traditional bricks.
At this point, no one knew who was interred in the tomb although the brickwork and layout, which
closely resembled Tomb No. 6 directly in front of it, led those on site to believe it was an untouched royal
A Nightlong Downpour
What were they supposed to do with the newly discovered brick tomb? The site manager immediately
reported the discovery to Kim Yeong-bae, director of the Gongju branch of the National Museum
of Korea (the current Gongju National Museum). The museum was obliged to report it to the Office of
Cultural Properties to obtain permission for excavation, but under the excitement of finding a new royal
tomb from Baekje, the proper procedures were ignored. On the same day, museum officials rushed
to start digging up the site with some local archaeologists, and became convinced that it was indeed a
Baekje royal tomb built with traditional bricks.
Found in the tomb of King Muryeong, the ornaments for the king’s
crown, cut out in honeysuckle design from pure gold plate, resemble
flames of fire. Length: 30.7cm. Width: 14cm. National Treasure
No. 154. Gongju National Museum.
the discovery of King Muryeong’s tomb brought Baekje’s history out of obscurity.
Baekje had remained a dark corner in ancient Korean history due to a shortage of relevant literature,
but the relics from the tomb provided solid evidence that shed light on
the ancient kingdom’s history from diverse perspectives.
The ornaments for the queen’s crown were found at the head part
of her coffin. Length: 22.2cm. Width: 13.4cm. National Treasure No.
155. National Museum of Korea.
The Office of Cultural Properties was informed of the discovery the next day, July 6, by the Gongju
municipal government. The office sent staff to the site to investigate the situation, ordered an immediate
halt to any unauthorized digging, and decided to organize a formal excavation team. On July 7, the team arrived. It was led by Kim Won-ryong, the then
director of the National Museum of Korea, and included
researchers from the Cultural Properties Research
Institute affiliated to the Office of Cultural Properties,
such as Cho Yu-jeon and Ji Gon-gil (see box). The excavation
began at 4 p.m. on the same day.
After just two hours, however, a sudden torrent of
rain came down. The site was flooded and rainwater
threatened to leak into the royal burial chamber. The
team was compelled to abandon the site, leaving only
the construction crew, who struggled through the pitchblack
night to dig a drainage ditch. In the meantime,
the excavation team gathered at a motel in downtown
Gongju to discuss how to proceed with the excavation,
and decided to resume work the next day.
The Excavation Site Buzzes with Excitement
The sky cleared the next day and the sun shone
brightly. Having resumed the excavation at 5 a.m. on
July 8, the team successfully uncovered the entrance
of the passageway leading to the main chamber. Clearly,
it was another Baekje royal tomb. At 4 p.m., before
the tomb was finally opened, a simple memorial rite
was held for its occupants, with three dried pollacks
and rice wine placed on a small table. At last, the team
started to remove the bricks blocking the entrance one
by one. When the dark passageway was unsealed for
the first time in 1,500 years, a cool draught blew from
the inside like a whiff of white vapor or cool air coming
from a car’s air conditioner in midsummer.
The excavation team conducts a simple memorial rite before removing
bricks blocking the tomb of King Muryeong on July 8, 1971.
“It might sound like an excuse, but I have to comfort myself with the
thought that such was the level of Korean archaeology at the time. However,
I’m grateful for the painful lessons we learned from that mistake. All following
archaeological projects were carried out more carefully, based on meticulous
Ji Gon-gil, former director of the National Museum of Korea, refers to the
1970s when he worked in Gyeongju, the old capital of Silla, as the pinnacle of
his archaeological career. Fondly, he keeps looking back to the time when he
unearthed the two royal tombs — the Tomb of the Heavenly Horse (Cheonmachong)
and the Great Tomb of Hwangnam (Hwangnam Daechong) —
from 1973 to 1976. While it was an honor for him to work on those projects, Ji
says, the excavation of King Muryeong’s tomb remains a source of irrevocable
Currently serving as chairman of the Overseas Korean Cultural Heritage
Foundation, Ji graduated from Seoul National University with a major
in archaeology and anthropology, before entering officialdom in November
1968 as a researcher at the Office of Cultural Properties (predecessor of the
Cultural Heritage Administration). On July 7, 1971, he was abruptly ordered
to go to Gongju with a few of his colleagues. Before he got there, he had no
idea that an ancient tomb, presumably of Baekje royalty, had been discovered,
and that he would be responsible for investigating it. “None of us heading
for Gongju knew anything about it,” he recalls. “Upon our arrival, we were
stunned at the sight of an ancient brick tomb with its front slightly exposed.”
Although he was just a young researcher who was not in a position to
make decisions, he has been tormented by the fact that he took a leading role
in a project recorded in archaeological history as a ludicrously slapdash excavation.
“The tomb of King Muryeong was excavated in a chaotic and careless
manner, with the entire process from the discovery to the actual excavation
exposed in real time to the media and the local community. In the uproar and
excitement, our team found it hard to keep cool and rational,” he recalls.
In fact, there’s another thing that Ji regrets about the excavation. At the
time, one of his duties was to take photos, the primary evidence for the original
condition of the site, with all the relics in their right positions. However, he
produced few good photographic materials, and most of the scanty number
of photos available were taken by reporters on the site. What happened?
“Inside the tomb, I worked hard photographing the chamber. It was only
after I developed my films back at the Seoul office that I realized something
was wrong with the photos. I had taken a brand new camera to the site, so I
was clumsy with handling it. Some of the shots were exposed on one-half of
the frame, and only a few cuts could be saved,” he explains.
Gilt-bronze shoes found at the feet
part inside the king’s coffi n. Length:
35cm. Gongju National Museum.
As an opening large enough for human access was
secured, Kim Won-ryong and Kim Yeong-bae went into
the tomb holding an incandescent lantern. The passageway
was a bleak tunnel, the ceiling a bit lower than
the height of an average man. The roots of acacia trees
hanging down from the arched ceiling made it look like
a haunted place. Halfway along, they ran into a fierce-looking stone animal resembling a boar with a
horn on its forehead, seemingly there to protect the tomb and ward off evil spirits from outside.
At the end of the passageway was a rectangular chamber with a vaulted ceiling. It was not very large,
and the floor was strewn with what in the gloom looked like dingy planks of wood.
They turned out to
be wooden coffins that had collapsed under the weight of time. Golden relics peeked through the gaps.
The two archaeologists could hardly believe their eyes, their intuition telling them that it had never been
touched by human hands since the burial. “Discovering an undamaged tomb from Baekje! A royal tomb
at that!” They could not contain their excitement.
One of the two stone slabs found
halfway along the tomb’s passageway
is engraved with the statement that
the land for the tomb was purchased
from the gods of heaven and earth,
along with the name of the occupant,
date of death, and date of burial.
Width: 41.5cm. Length: 35cm. Thickness:
5cm. National Treasure No.
163. Gongju National Museum.
Who is Buried in the tomb?
Their euphoria reached a climax on their way out when they found two stone slabs in front of the
menacing stone animal halfway along the passage. The lantern light revealed characters carved in classical
Chinese which were interpreted to mean “King Sama of Baekje, the great general who brought
peace to the east.” Sama was a title conferred on King Muryeong of Baekje by the emperor of the Liang
Dynasty (502–557), one of the southern dynasties of China. Kim Won-ryong recollects the moment: “I
was so stunned that I was beside myself.”
Kim Won-ryong’s extreme excitement at finding out the identity of the tomb’s occupant impaired his
judgment, and he ended up allowing the excavation to be conducted in an unprecedentedly haphazard
manner. An experienced archaeologist should have calmed himself down,
brought all work to a halt, and invested time in devising a detailed action
plan. Kim, however, opted for an immediate excavation. Further clouding
his judgment was the chaotic atmosphere, with a large crowd of reporters
from all over the country waiting anxiously outside the tomb to report
the historic discovery.
Thus, the tomb of King Muryeong was unearthed
as soon as its occupant was identified, and the chamber was completely
emptied by 8 a.m. the next day, July 9. Nobody had documented what had
been found where, and in what condition.
With neither a plan nor proper protocol, King Muryeong’s tomb was
excavated in such haste that it could have been the work of grave robbers.
Ever since, the project has been repeatedly criticized and bemoaned by the Korean archaeological community. Nevertheless, the unfortunate manner of the excavation
has not overshadowed its results. Of the 114 kings of the Three Kingdoms and the subsequent
Unified Silla periods — 31 from Baekje, 27 from Goguryeo and 56 from Silla, which unified
the three kingdoms — only King Muryeong has had his tomb identified by posterity.
A stone guardian animal found along
the passageway. Length: 47cm.
Height: 30cm. Width: 22cm. National
Treasure No. 162. Gongju National
Baekje’s History Salvaged from Obscurity
In addition, discovery of his tomb brought Baekje’s history out of obscurity. Baekje had
remained a dark corner in ancient Korean history due to a shortage of relevant literature, but
the relics from the tomb provided solid evidence that shed light on the ancient kingdom’s history
from diverse perspectives. Specifically the two stone slabs, engraved with the statement
that the king and the queen had been buried in land purchased from the gods of heaven and earth,
offered a glimpse of the solemn funeral customs observed by the people of Baekje.
The tomb of King Muryeong and his wife yielded a splendid array of artifacts — over 3,000 items of
about 100 kinds. It was evident that some of the articles had been imported from China. Moreover, the
wooden coffins for the royal couple were made of Japanese umbrella pine, whose only natural habitat is
known to be the Japanese archipelago. These observations demonstrate that Baekje carried out cultural
and material exchange with neighboring nations by means of maritime trade, and that the royal family
maintained close relations with Japan.
Visitors to the Gongju National
Museum look around the exhibits,
including the wooden coffi ns for the
royal couple and the guardian animal,
restored almost to their original